Chris vrenna tweaker nation
“The simple answer is that I have the time to do so. I have missed tweaker,” says Chris Vrenna about why he’s taking his band out of hibernation since 2004 and releasing the new album call the time eternity via Metropolis Records. Partnering up with programmer/guitarist collaborator Jesse Hall, Chris left his post as drummer for Marilyn Manson last fall and returned to focus on his own career. “tweaker has always been my passion project,” he explains. “I've been fortunate enough to have been overly busy in the last several years and had to repeatedly back-burner the new record.” His third album and first since the critically-hailed 2 a.m. wake up call eight years ago, call the time eternitysounds like an electronic journey through darkened paths, themed by machine-gun staccato percussion, strings and synths and occasionally punctuated with ethereal guest vocalists.
“Every tweaker record is a mix of instrumental music and vocal songs,” Chris describes. “During the writing and recording process, tracks will naturally evolve into one or the other.” Feverish and dreamily pitched in impenetrable shades of black,call the time eternity offers aural texture to the seedy underbelly of a dark and dank environment. From the midnight stylings of the instrumental intro “ponygrinder” that incorporates found samples into elongated drum n’ bass rhythms, to the creepy industrial soundtrack of a serial killer’s basement in “areas of the brain” to the gauzy and pastoral “grounded (feat. kaRIN)”, the album blends multiple atmospheres alternative pop/rock and electronica into a densely cohesive mix. Meet Tweaker, the captivating musical project helmed by the multi-talented Chris Vrenna--drummer, producer, and songwriter extraordinaire. Best known for blending elements of alternative pop/rock with electronica, Tweaker emerges as a luminary in the soundscape of modern music. Forging a unique sonic identity, Tweaker cradles a sound that embodies eeriness while still maintaining melodic accessibility, setting itself apart from other artists in the genre. Since its inception in 2001, Tweaker has left an indelible mark on the music industry with groundbreaking releases that resonate with both critics and fans alike. Vrenna's undeniable knack for sound design and his relationship with vinyl culture have led to a series of notable records that have captivated audiophiles, emphasizing the rich experience of listening to music on vinyl. With an artistic approach rooted in experimentation and innovation, Tweaker stands as a celebration of the vibrant narrative that vinyl records continue to tell. Chris Vrenna was born into a world where music was an ever-present force. Growing up, he was enveloped in a tapestry of sounds that would shape his artistic journey. Coming from a supportive family, Chris's early exposure to music through his parents and local culture instilled in him a profound appreciation for various genres. His childhood was marked by an affinity for rhythm, sparking a love for percussion that would later define his career. Whether it was the deep beats of rock 'n' roll or the ambient waves of electronic sounds, Vrenna found inspiration lying in the grooves of his favorite vinyl records, cultivating a foundation that would profoundly influence his future work. It was these early experiences that crafted his worldview as an artist, fostering a connection to the vinyl format that would grow as he matured as both a musician and a v In our latest interview, we’ve had the massive pleasure of speaking to Chris Vrenna. Chris is a multi-instrumentalist, producer, remixer and engineer to name a few of his skills. He has worked with the likes of Nine Inch Nails, Marilyn Manson, Gnarls Barkley, Guns ‘N’ Roses, U2 and countless more. He even scores games and movies! We talk to this true musical veteran (in audio and transcribed glory) about his inspirations, roots in to music, fond memories, and his own band tweaker, which has recently released its third album ‘call the time eternity’. S] You’ve worked with so many artists of varying genres. Where does the inspiration for your own music as Tweaker come from? C] “It comes a little bit from all of those artists and all of those genres, combined with just how I’m feeling at that time and the way it just kind of comes out. I think I’m influenced in tiny amounts from everything as oppose to being influenced in large amounts from small things. The reason I actually do tweaker is that I spend most of my time working with other people and doing, you know, whether it’s a remix for another band or label, or producing a band, or scoring. There’s always a certain reason or goal for that artist or label, director, game developer, so there’s always a certain amount of rules for all that, which is totally cool! But it always kind of sparks, ‘God if I had no rules, maybe I would try something like this!’ So I always keep track of those little sparks in my head and then those are inevitably what becomes tweaker.” S] As a grammy-award winning producer, would you be interested in letting other producers work on your own written music? C] “Oh, absolutely! It’s whether you have another writing partner or bandmate or even freakin’ Trent [Reznor], or ‘The Downward Spiral’. I think sitting in a vacuum by yourself is one thing, but a When Chris Vrenna left Trent Reznor's influential industrial/alternative rock powerhouse Nine Inch Nails in 1996, it certainly wasn't the end of the line for the drummer/producer/songwriter -- far from it. Vrenna kept busy with a variety of musical activities. In addition to producing or co-producing various artists (including Marilyn Manson, Rasputina, Xzibit, Red Delicious, Lords of Acid, and Cold) and providing remixes for U2, Nelly Furtado, and Weezer (among others), Vrenna got into soundtracks. In 2001, for example, Vrenna composed the dark, eerie instrumental soundtrack of American McGee's Alice, a video game that is based on Alice in Wonderland. And it was also in 2001 that Vrenna unveiled his Tweaker project. Best described as a blend of alternative pop/rock and electronica, Tweaker was inevitably compared to Vrenna's former band, Nine Inch Nails -- as many years as Vrenna spent in Reznor's employ (eight, to be exact), people were bound to point out the similarities between Tweaker and Nine Inch Nails. And, to be sure, many of the adjectives that have been used to describe Reznor's band have also been used to describe Tweaker -- adjectives like dark, moody, eerie, and shadowy. Like Nine Inch Nails, Tweaker is aggressive yet melodic and very musical; Nine Inch Nails was never the sort of industrial band that lived on brute force alone. But Vrenna is his own man, and Tweaker is far from a carbon copy of Nine Inch Nails. While Reznor's outfit is industrial-oriented, Tweaker's alternative pop/rock/electronica blend isn't industrial per se (although Vrenna does incorporate elements of both industrial and goth rock). If Nine Inch Nails has inevitably influenced Tweaker, so have a variety of other artists (who range from David Bowie and Roxy Music to Marilyn Manson, Stabbing Westward and Depeche Mode). Even some of U2's post-‘80s work has had a bit of an influence on Tweaker. Vrenna wore many different hats when, in 2001, he recorded Tweaker's The Attraction to
TThe almost sunny and cheekily named,“this is ridiculous” would be the perfect lead-in to a surprising cover of Phil Collins’ “i don’t care anymore”… had it been done tongue in cheek and not with reverence. “I do love Phil's drumming! He really broke new ground bot Tweaker Vinyl Records & Discography
Who is Tweaker? A Brief Career Overview
Tweaker's Early Life and Background
Interview: Chris Vrenna (Nine Inch Nails)