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Pictures of Peter Paul Rubens ( * 1577 † 1640 )
Peter Paul Rubens, born on June 28, 1577, in Siegen, Netherlands, was meticulously sculpted by both his robust humanist and Catholic education and the fertile, artistic ambiance of his time. His journey into the art world began in Antwerp, studying landscape painting under Tobias Verhaecht before continuing with Adam van Noort and Otta van Veen from 1592 to 1598. His expertise in the craft was recognized early on, earning him the title of the master of the Guild of Saint Luke in Antwerp in 1598. Between 1600 and 1608, Rubens expanded his horizons, working as a court painter and diplomat for Vincenzo Gonzaga, Duke of Mantua. His travels to vibrant art hubs like Rome, Genoa, and Spain not only enriched his experiences but also saw his Mannerist leanings evolve into a signature Baroque style.
Upon his return to Antwerp in 1608, Rubens' career and personal life both experienced profound and joyous progressions. He embraced the role of a painter for Duke Albert and established his revered school of painting, influencing generations of artists to come. Rubens found love and companionship with Isabella Brant, whom he married, embedding himself further into Antwerp's societal and cultural tapestry. His artistry, renowned for its emotive vibrancy and lush, dynamic scenes, was now undeniably tinged with the mature, Baroque sensibilities he’d cultivated during his travels. He masterfully blended intense emotionality with intricate design, gifting the world timeless masterpieces that remain emblematic of Baroque art.
Rubens' influence was not limited to the canvas; in 1622, he immersed himself in the world of diplomacy, serving courts across Spain, France, and England. His dual roles as an artist and diplomat uniquely interwove, each aspect enriching the other, and offered him a tapestry of experiences that palpably resonated through his later works. A Admired for his brilliant colors, sensual forms, luxuriant, painterly brushstrokes woven into elaborate compositions, Rubens invented an idiom that combined the classical grandeur of the Italian High Renaissance, observed first-hand during an extended stay in Italy, with the naturalistic tendencies of the North. Rubens championed the concept of ‘ut pictura poesis’ and had an unrivaled power to transform classical art and literature into vivid imagery and theatrical drama, drawing on his personal erudition and interest in Antiquity, which he collected and sketched from life. As court painter to the rulers of the Spanish Netherlands, Rubens became the standard-bearer of a spiritual renewal for the State and its interconnected courts. His ascendence to international stardom was connected to the diplomatic missions he undertook to France and England. Rubens also became the trending status symbol painter among Antwerp’s higher bourgeois and burgher echelons. He ran a thriving workshop in Antwerp that involved the foremost talents of his time, notably Van Dyck and Jordaens, and collaborated with other leading specialists such as Jan Breughel and Frans Snyders to broaden his reach. Rubens’ artistic offspring in the centuries to follow consist of the old and modern masters of the highest caliber — Watteau, Boucher, Gainsborough, Delacroix, Böcklin, Renoir, Picasso, de Kooning and Freud to name a few — all of whom contributed to his enduring influence in the story of art. Market Friso Lammertse and Alejandro Vergara, Rubens: Painter of Sketches, exh. cat., Madrid and Rotterdam, 2018. Gelinde Gruber, Sabine Haag, Stefan Weppelmann and Jochen Sander eds., Rubens: Flemish artist and diplomat (1577–1640) "Rubens" redirects here. For other uses, see Rubens (disambiguation). Sir Peter Paul Rubens (ROO-bənz;Dutch:[ˈpeːtərpʌulˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. Rubens was born and raised in the Holy Roman Empire (modern-day Germany) to parents who were refugees from Antwerp in the Duchy of Brabant in the Southern Netherlands (modern-day Belgium) and moved to Antwerp at about 12. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand of Austria in 1635. He wr Peter Paul Rubens: impressions of a master showcases the work of one of the greatest and most influential artists of all time: the Flemish Baroque master Peter Paul Rubens (1577–1640). Peter Paul Rubens was a prodigious artist and one of the most extraordinary figures of the seventeenth century. The most intelligent and exciting painter of his time, he was renowned for his virtuosic handling of oil paint, energetic compositions, and dramatic, triumphal, and often sensual style. Rubens was also an international diplomat, a shrewd businessman, an intellectual, and friend of great scholars and rulers, as well as presiding over a vast and prolific workshop. Europe’s kings and princes prized his works, which included altarpieces and other religious pictures, portraits, hunt and mythological scenes, and monumental decorative programs in oil paint and in tapestry. From the 1600s until the late 1800s, compositions by Rubens were widely circulated in the form of prints taken from some 850 plates engraved over that time. Early on, Rubens found that many of his paintings were being reproduced without permission and sought privileges (exclusive rights) to protect himself against piracy. After much effort, he was granted “copyright” by the States General of the Dutch United Provinces and the rulers of Spain, England, and France. He then began a vast printmaking project that resulted in close to a hundred plates executed under his direct supervision by talented engravers; prints continued to be made long after his death. In the form of engravings, Rubens’s most famous compositions could be enjoyed by an international public, by those would could not travel to Antwerp, Paris, or Madrid, or have access to the royal palaces and religious houses where many of these works were originally displayed. It was in this way that Rubens’ influence came to be felt around the globe. The exhibition Peter Paul Rubens: Impressions of a Ma Peter Paul Rubens was the most distinguished and versatile artist of the Flemish Baroque whose spirited allegorical cycles and sumptuous altarpieces were highly coveted by Europe’s most powerful ruling families of the seventeenth century.
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