Yumiko kayukawa wikipedia
Celebrating Artists – Beyond Book Covers
So today, I wanted to talk a little bit about some artists I love – and why I think as important as it is for writers to be plugged into a writer’s community, they should also strive to connect to the visual art community. And it’s not just so they have slamming art to use the next time they have a book cover coming up! (Although that is a positive side-effect…)
Tonight, I’m going to the reception for artist Yumiko Kayukawa, whose new show is opening at terrific Seattle gallery Roq La Rue. (She also graciously allowed me to use her piece, “Zen Cracker,” for this web site.) You can see some preview art for the show here. So many people talk about the SAM, the Seattle Art Museum, or maybe they mention the Henry Art Gallery at UW, which hosts some kickin’ literary events as well. Both deserve a visit, but this quirky downtown gallery always has something up on its walls that makes me wish I could afford to buy more art.
And soon, I’ll be reading October 21 at a reception for local painter Deborah Scott, whose fairy tale series “Waiting for Prince Charming” is a combination of subversive pop culture wit and traditional stunning painting techniques. Check out this review of her show here. It starts today as well – click here for more information about viewing her work! You can see why I’d like her work.
I’m hoping to meet up with the cover artist of my first book (Becoming the Villainess) Michaela Eaves, at the opening tonight, and I just wish I could follow Rene Lynch (the cover artist of She Returns to the Floating World) around because her exhibitions are always in fancy places like Germany and NYC.
I think poets have a lot in common with visual artists, whose work necessarily taps into the subconscious, whose images are often drawn from the same sources (history, mythology, pop culture) as ours. Yumiko’s work draws on old e Some time ago, I encountered a word so specific that it could only be Japanese: 野分 or 野分き (のわき: late autumn windstorm in the countryside, typically caused by a typhoon or cyclone, esp. on the 210th and the 220th days of the year) field + to divide When people calculate the 210th day of the year, they don't start counting from January 1. Rather, they begin with the first day of spring in the traditional Japanese calendar. Known as 立春 (りっしゅん), that day now tends to fall on February 4. Therefore, Days 210 (二百十日, にひゃくとおか) and 220 (二百二十日, にひゃくはつか) are around September 1 and September 11. On those dates, the wind is supposed to be strongest in Japan, so farmers there have long kept the two 野分 dates in mind in a cautionary way. The word 野分 is quite old. It literally means "to divide the grass on the field," as when wind parts grasses during a storm. This reminds me of one of my favorite words: 草分け (くさわけ: pioneer) grass + to divide It's as if trailblazers divide the grasses, creating a path for the rest of us to follow. Photo Credit: 多摩に暇人 Flattened rice field after a typhoon. The Wikipedia caption for this photo is 倒伏した稲: 倒伏 (とうふく: falling down) I never expected to encounter 野分 in real life, but then I spotted it right at the beginning of a haiku posted on Facebook! Yoshikazu Kunugi wrote the haiku, which charmed me to no end: 野分過ぎ typhoon gone -過ぎ (-すぎ: after) A scarecrow fallen in battle! What a fantastic image, particularly if one thinks of the feckless scarecrow from the Wizard of Oz. Can you imagine his battling either an army or the elements? Photo Credit: FG2 Typical Japanese scarecrows. They're standing in rice paddy that Japanese visual artist Yumiko Kayukawa (born 1970) is a Japanese visual artist, currently based in Seattle, known for fantastical paintings that utilize flat color and decorative graphic elements in works that combine female figures with animals, mythical beings and natural elements. Yumiko Kayukawa was born in the town of Naie on the island of Hokkaido, Japan. Kayukawa attended Bisen Art School in Sapporo. She moved to Seattle, Washington in 2005. Kayukawa's work combines traditional Japanese themes with motifs from American fashion and music culture.Shintoanimism combines with Rock and Roll inspirations. Kayukawa's solo exhibitions include Year Of The Fire Horse at Foley Gallery, New York, NY in 2014, “HAKURYUU – White Dragon” at LeBasse projects, Culver City, CA in 2012, Official websiteScarecrow Fallen in Battle: Part I
稲 (いね: rice plant)
案山子討ち死に
朝日射し
a scarecrow fell in battle
morning sunshine
案山子 (かかし: scarecrow; figurehead)
討ち死に (うちじに: dying in battle)
朝日 (あさひ: morning sun)
射し (さし: sunlight; rays of the sun)
- KAPPA - 河童 / 合羽 / かっぱ / カッパ - ABC-Index -
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- Manga まんが / 漫画
- Movie 河童映画 eiga -
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Arakwa Under The Bridge 荒川アンダー ザ ブリッジ
THE MOVIE - 2011
Iizuka Ken 飯塚健 (1979 - )
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Coo, Summer Days with Coo
河童のクゥと夏休み Kappa no Kū to Natsuyasumi
lit. "Summer Vacation with Coo the Kappa"
2007 Japanese animated film Studio Ghibli
- source : wikipedia
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Kappa 河童(かっぱ)
ぬらりひょんの孫
- source : ねこぬこねこぬこ
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Edo Superstar - 河童 - かえr・・かっぱです
「エドスーパースター」 Ukiyo-e Heroes
【浮世絵】世界で話題のチームが最新ゲーム「エドスーパースター」
を開発中
- source : matome.naver.jp/odai
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Death Kappa (2010)
Haraguchi Tomo-O, Tomoo 原口智生 Tomo-o Haraguchi
(1960 - )
- quote
. . . a movie about a Yumiko Kayukawa
Early life and education
Work
Selected exhibitions
References
External links