Biography of pedro infante

Ranchera, considered the national music of Mexico, has been uniquely influential in shaping other Latin American genres. Mexican singers and their songs have inspired musicians in countries as disparate as Argentina, Colombia and the Dominican Republic. Mexico’s size, and its location between the English and Spanish-speaking Americas have contributed to the country’s role as a hub for Latin American media.

Mexican cinema, which has dominated Latin American screens since the earliest days of film, has been critical in disseminating ranchera throughout the region . Televisa, Mexico’s equivalent to Hollywood, between the s and s, brought the Spanish speaking world movie stars like Cantinflas, Sarah Garcia and Maria Felix. Many of the greatest of these films were musical comedies and dramas, which made singers such as Jorge Negrete and José Alfredo Jimenez into musical icons. Among this galaxy of stars, none in all of Latin America has equaled the fame of Pedro Infante.

Born in in Mazatlán, Pedro Infante received formal musical training from his father, an upright bassist and music teacher. Infante quickly became proficient with a number of instruments including violin, and guitar, but excelled as a singer, joining his father’s group “La Rabia” at age Many types of Latin American music, including Mexican genres like Norteña, are sung in the throaty style of popular Latin American song inherited from the Iberian Peninsula. The greatest ranchera singers, on the other hand, sing in a more technical style reminiscent of opera and sacred music. Infante’s genius was to combine technical proficiency with an authentic feeling more associated with folk genres.

After his experience with La Rabia and a better known group, orchestra La Estrella de Culiacán, Infante went to Mexico City to make his name as a singer. At first he supported himself as a manual laborer. His early years as a working musician were spent cove

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Unfamiliar to a large portion of US culture, it is crucial to understand the impact that the actor Pedro Infante has on Mexican cinema. Viewed by many as one of the quintessential stars of La época del cine de oro de Mexicano (The Golden Age of Mexican Cinema), Infante is considered one of the most prominent actors in the genre of Cancion Ranchera (rustic comedy) films. In these genre films, Infante used his beautiful singing and rugged machismo to help establish the ideal image of Mexican masculinity. Using Corrido (a depiction of rural life) imagery that depicted traditional life in the Mexican countryside, Infante&#;s filmography would leave a social impact on what society expected of Mexican men in the midth Century. Yet this image is fascinating about Infante, as for all the ways he came to represent this corrido image in his everyday life; indeed, Infante also was at times contradictory to the traditional notion that he came to embody. Infante was not a man that genuinely stuck to conventional family life; as a child out of wedlock and numerous infidelities marked how Infante did not fall in line with social acceptability in Mexico. Conversely, Infante’s non-habit of drinking is also notable, as his ability to impersonate drunkenness also influenced audiences toward drinking habits that worried citizens of Mexico.

The purpose of this article is to present a history for the US audience of a figure that holds a special place in the heart of many Mexicans; it is not meant to sway one to think of Infante one way or the other. However, in noting the twists in turns of Infante’s life, it would not give due justice to his story to not mention the unique characteristics of Infante’s biography that contradict the image presented to audiences. The focus of this article is to note how the appearance of Infante interacts with the actual person of Infante, how the two parts overlap, and where they differ from each other. It is an opportunity to present a subst

Mexican actor and singer (–)

In this Spanish name, the first or paternal surname is Infante and the second or maternal family name is Cruz.

Pedro Infante Cruz (Spanish:[ˈpeðɾojɱˈfante]; 18 November – 15 April ) was a Mexican ranchera singer and actor whose career spanned the golden age of Mexican cinema.

Infante was born in Mazatlán, Sinaloa, and raised in nearby Guamúchil. He died on 15 April in Mérida, Yucatán, while en route to Mexico City when his plane crashed due to engine failure.

From until his death, Infante acted in over 60 films (30 of them with his brother Ángel) and recorded over songs. His ranchera album Cuando sale la luna was rated No. 56 in a ranking of the greatest Latin music albums of all time. For his performance in the movie Tizoc, he was posthumously awarded the Silver Bear for Best Actor at the 7th Berlin International Film Festival.

Childhood and early career

Pedro Infante was born 18 November in Mazatlán, Sinaloa, the son of Delfino Infante García (24 December – 17 March ), who played the double bass in a band, and Maria del Refugio Cruz Aranda. He was the third of his parents' fifteen children, nine of whom survived. Although the Infante Cruz family stayed for some time at Mazatlán, in early they moved to Guamúchil, where he was raised.^&

Pedro Infante Cruz was born on November 18, , in the port town of Guamuchil, part of the larger city of Mazatlán located in the Mexican state of Sinaloa. He was the second of nine sons born to Delfino Infante Garcma and Refugio Cruz. The couple also had six daughters. Two of Infante's brothers, Angel and José, also found fame as actors and singers. Infante's father, Delfino, was a professional musician but had trouble making ends meet. When Infante was in fourth grade he had to drop out of school to help support his family. He sold hardware, ran errands, and waited tables, however his most consistent job was as a carpenter. That is, until he fell in love with music. His father taught him the basics of music and with his carpentry skills he soon built his first guitar. He learned how to sing by imitating songs he heard on the radio.

Infante's first musical experience was with a group he formed called La Rabia. They played in local night clubs, performing rancheras and boleros—popular forms of Mexican music. In he joined the more famous Orquesta Estrella de Culiacán in Sinaloa's capital city. After a performance at a local festival, Infante's first wife, María Luisa León, insisted that he move to Mexico City to pursue his musical career. Within two years he had a contract to perform on a local radio show. Four years after that, in December of , Infante recorded his first album, El soldado raso. He would go on to record more than 50 albums and hundreds of songs. He made the bolero musical form famous, earning the nickname King of the Bolero.

The Houston Chronicle noted that because he lacked formal training, "Infante's voice was unrefined, yet it was filled with emotion." The songs tugged at the heartstrings, telling tales of love found and lost, friendships built and broken, families together and apart. There wasn't a soul in Mexico who couldn't relate. The Houston Chronicle went on to