Biography alex gaskarth twitter chris brown

The 57 Grammy Awards didn't end without a little controversy in connection to the campaign against domestic violence. The short video was introduced by President Barrack Obama that aims to bring awareness to the issue.

According to US Magazine, the clip regarding domestic violence was highly relevant but didn't sit well with others, calling it hypocritical. It seems very inappropriate for the Grammys to feature such moving message while celebrating two known transgressors at the same time. Viewers took to twitter their sentiments about the incident.

Many raised their eyebrows at the incident but nothing can be compared to "All Time Low" singer Alexander Gaskarth where he went straight to the point and dissed Chris Brown on the spot.

Eonline was able to post a screen grab of the two's twitter exchange boiling from a Gaskarth's comment of "Wow. Unbelievable. Maybe #ItsOnUs to not invite people like @chrisbrown to the Grammys. Am I wrong?"

Chris Brown then replied with a tweet asking Gaskarth about a VIP ticket to the pearly gates in which the latter brushed off the innuendo and said he's more worried about the present, the double standards and the messages sent.

Chris Brown avoided making any derogatory comments about the tweet. When he was still with Rihanna, the case of domestic violence landed him five years of formal probation and 180 days of community labor.

In an interview with Hot97's Ebro, Chris opened up about the incident and how young he was at the time. He acknowledged what he did saying it was something he'll never do again. He also mentioned how he preferred to keep those skeletons inside, but his celebrity status won't let him. He also maintained that he and Rihanna made amends after the reported domestic violence.

Chris Brown is currently with model Karrueche Tran, while Rihanna is rumored to be dating Leonardo DiCaprio.

2019 studio album by Blink-182

Nine is the eighth studio album by American rock band Blink-182, released on September 20, 2019, through Columbia Records, as the band's first album on the label. The band began developing the album after fulfilling touring obligations for their previous release, California (2016). While producer John Feldmann returned from the previous album, Nine also utilizes additional outside producers and songwriters including Captain Cuts, the Futuristics, and Tim Pagnotta. It is the band's second and final album to feature guitarist/vocalist Matt Skiba, before the return of founding member Tom DeLonge in 2022.

Although Nine is sequentially Blink-182's eighth studio album, Hoppus and Barker consider it their ninth by retroactively counting the band's 1994 demo, Buddha, as their first. Hoppus also cited the significance of the number 9 as "the number of universal love, and the number of Uranus." The color wash album cover was painted by graffiti artist RISK. Much of the album's lyricism is dark in nature and was informed by world events, as well as Hoppus' battle with depression. Musically, the album augments the band's pop-punk sound with hip hop-inspired programming as well as electronics. For Nine, the trio moved from independent service BMG to major label Columbia.

Nine received generally positive reviews from music critics, many of whom complimented its upgrade to the band's signature sound as well as its moodier lyrical content. It debuted at number three on the Billboard 200 domestically; it reached the top ten in Canada, Austria, Australia, Germany, and the United Kingdom as well. Th

Lyrics

I'm all tied up and trying my best to get down
Come on girl, come around come around
I'll wait up all night just to see you move
And for the past few days I've been doing my best to move on
Baby baby shake it up and come along
Let's take a ride and forget this town tonight

Late night/ Bring back the heat some more
What's right/ I don't know what I'm waiting for
It takes all that I have just to move along
It takes all that I have it takes all that I have
Last call/ That's what I said tonight
Passed out/ Lose control in the fading light
So many nights spent with you in the beginning
It takes a while getting use to having nothing
I would give all I have just to be what you need until the end
I'd give myself to be me and to hold you close again

I'm all tied up and I'm trying my best to get down
Come on girl, come around come around
I'll wait up all night just to see you move
And for the past few days I've been doing my best to move on
Baby baby shake it up and come along
Let's take a ride and forget this town tonight

What goes around comes around in the end
It takes you down and you're never gonna stop it

I'm not waiting for you

Dashboard Confessional, or Dashy Confesh, as I assume the cool kids call them, is currently touring their first album in nine years with All Time Low on the so-called “Summer Ever After” tour, which stopped by New York last Sunday night at the Rooftop on Pier 17, an outdoor venue at the top of a former mall wrecked by Hurricane Sandy that has genuinely the nicest bathroom of any concert venue I’ve been to in my entire life.

Unlike several hundred other people, I read the list of restricted items, so I knew not to bring an umbrella. There was an enormous pile of umbrellas next to the security desk by the time I got there, at which point I was ushered through before I could stop to take a picture. 

I made a Spotify playlist 15 months ago called Developing Intensity (2004-2009). It charts the course of my musical taste over that time. I was always more into modern rock than the classic stuff, and it got heavier and heavier as the years went by. By the early 2010s, the words in much of the music I listened to were growled rather than sung.

But that meant that, by the time All Time Low was picking up steam, I was already outside of their sphere of influence. In fact, I hadn’t even heard of them until their song Backseat Serenade showed up on a Spotify radio station one day. After “Missing You” followed, I was hooked. When I met my girlfriend, Danielle, not long after, her love of the band cemented my own affection for… both, I guess?

DashCon, on the other hand, I had always been vaguely aware of – they were formed in the first decade of my life – but I had also literally never listened to them until last weekend. And I’m all emo about it now that it took so long, because they’re really good. Frontman Chris has an excellent voice, and the musicianship is solid throughout. They have great stuff on every album, up to and including their latest release, Crooked Shadows.

But the act of first discovering, and then seeing them perform, in 2018 is kind of fascinating