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Today,multi-platinum Artist and Afrobeat’s superstar Davido released his newest track, “Stand Strong”featuring The Samples Choir, the vocal group known for their world-renowned projects including Kanye West’s Sunday Service movement. via Columbia/RCA. The uplifting track, produced by Pheelz is available for download and streaming on all DSPs Here.
“Stand Strong” is the first offering from Davido’s highly anticipated studio album scheduled for release later this year. Grounded in a powerful base of African percussion, “Stand Strong” delivers a spirited and optimistic anthem for our times, showcasing Davido’s musical evolution and offering an exciting glimpse at what is to come for his global fans. The new track plays like a heartening 3-minute conversation of survival and battered optimism between Davido and his musical choral collaborators The Samples, understanding that the world we live in provides challenges but there is ultimate strength in love if we stand strong.
“Stand Strong” arrives on the heels of an array of high-profile releases in 2022 for Davido, including the global smash, “Hayya Hayya (Better Together)”, from the FIFA Official World Cup Soundtrack and his critically acclaimed collaborations with Skales on “This Is Your Body” and Adekunle Gold on their multi-million streaming hit, “High”. It also follows his recent North American, “THE WE RISE BY LIFTING OTHERS” Tour announcement, which is set to kick off Thursday, June 16 in New York at The Prospect Park Bandshell and will continue to Boston, Toronto, and Chicago before the U.S. leg wraps in Los Angeles on Saturday, June 25 at the You Tube Theater. Tickets are now available for purchase.
THE WE RISE BY LIFTING OTHERS TOUR
Thursday, June 16   From the Curator’s Desk Greetings, friends: There are many things we don’t agree on as a country. Is it maze or manze? Weuh! or wueh! But more pertinently, mwanaume or mwanamume—who is the real man? I have been thinking about my masculinity recently. It seems there is never a lack of someone, anyone, everyone—telling me how to be a man. Or more importantly how not to be a woman — YouTube especially is a goldmine, or landmine. In my teenage years, I thought to be a man was to be like the Marlboro Man, the one with a cigar in his mouth and a devil-may-care bravura and a hot lady or two or three dangling dangerously from his Harley-Davidson bike. And then I thought it was Michael Power, and the drop of greatness in every man. I had a small stint with Tiger Power too, the strongest Kenyan man that ever lived. In my mid-twenties I had an unholy tryst with The Godfather, identifying with Michael Corleone, a Mafia Don, a man among men. I wanted to be an American Gangster, but in a Kenyan way, the kind of man you’d find standing with a brown envelope at the corner of City H The competition will run in Nairobi at a yet to be announced venue from February to December and feature eight bands. Each month, two bands will compete with a one-month break between performances after each elimination. Voting will be done by a panel of judges and the public. Note that the judging criteria will only be sent to qualified bands. Selected requirements To qualify, the band must: A sample format of what the bands will be expected to play are as below: Prize The application process is ongoing and interested bands can apply here. New releases from Big Soul on Deezer Most popular albums from Big Soul Find artists similar to Big Soul Playlists & music by Big Soul Listen to Big Soul on Deezer Big Soul is a fun, high-energy Californian rock-funk band co-founded by Kelleth Chinn and Caroline Wampole. The band became successful in Europe in 1996 with two hits: "Le Brio (Branchez La Guitare)" and "Hippy Hippy Shake". Their name comes from a John Lee Hooker song, “Teachin’ the Blues,” in which he sings "Yes, yes, what a Big Soul.” From 1989 to 1995, the band played every small club in Los Angeles and San Francisco, hoping to get a record deal. Along the way they had 13 drummers, including Jo Pusateri, J.D. Smith, Mick Flores, and Adam Newman. In 1992, after being ignored by record companies, they decided to create their own label and release their own album, which they recorded at a 16-track studio with engineer Dean Chamberlain, one of the founders of The Motels. During a show at the Whisky a Go Go on Sunset Boulevard in Los Angeles, a French tourist bought their homemade album and took it in her luggage. The album, simply titled "Big Soul", ended up in the hands of a Parisian DJ (Jacques Dumas from Le Niel's nightclub) who packed the dance floor with "Hippy Hippy Shake" and "Le Brio". He played the album for some Sony reps who visited his club and Sony soon signed Big Soul. The band made a smashing entry into France, playing at Transmusicales and appearing on the popular TV show Taratata with the French group Pow Wow. Big Soul released a second album, "Love Crazy", in 1997, with their 13th drummer, Deane Jenkins, and toured extensively through France and Spain and other parts of Europe throughout the late 1990s. In June 2001, Big Soul returned after a long absence, participating in the soundtrack of the French film "HS Hors Service". In 2002 th
This week’s newsletter is continuing the tradition of inviting members of our community to write From The Curator’s Desk, and for this edition, I’m happy to hand it over to Eddy Ashioya, a writer and journalist.
Please send your guest writing pitches for this section to chris@barazalab.com if you’re interested in being our guest curator on the newsletter, and you have something of interest to share to our community — a trend you’ve noticed or something you’d like us to think about.
~ Christine
I grew up in Lutonyi Village, deep in the armpits of Kakamega, and there I saw what it meant to be a man, a certain kind of man. The testosterone was so abundant it had its own isimba in the compound. I carry a version of it everywhere I go as a service to all the doubters, in the doomed but evangelical spirit of a Jehovah’s Witness handing out pamphlets on Ngong Rd. Call for applications: Battle of the bands in Kenya
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