Elizabeth garouste and mattia bonetti biography definition
In , Garouste & Bonetti began to collaborate with another great patron of their work, London-based gallerist David Gill, known for his keen eye for fresh talent as well as his global reach. As the new millennium approached, the duo gravitated toward a more contemporary, less historicist, idiom and began exploring more poetic aesthetics. The year was particularly pivotal in developing this new direction as they produced an unforgettable series of designs: the Ring Coffee Table, the St Petersburg Chest of Drawers, and the Seville and Polynesia Lamps. The next year, though, the duo separated. Bonetti established his own studio in Paris’s 11th arrondissement and maintained the relationship with David Gill Gallery.
In the two decades since, Gill and Bonetti have forged an astonishingly fruitful partnership while playing a key role in developing the culture and commerce of limited-edition design. Gill has allowed Bonetti to fully express his imagination and manifest his endless trove of ideas—which has led to some of the most magical furniture designs of the 21st century, existing at the extraordinary intersection of handcraft, technology, and fantasy. Like so many, I can’t wait to see what he does next. ◆
Mattia Bonetti’s forthcoming solo show Florida, featuring a brand new series, will open at David Gill Gallery on June 23rd.
You can attend live Materials and Furniture: The Legends webinars by registering here. The program runs through May 10,
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Garouste and Bonetti did not radically re-think the forms and uses of furniture, but re-styled it for a knowing and urbane audience, in a period dominated by post-modernist irony and symbolism. This attitude was a conscious rejection of modernist functionalism. They turned instead to historical styles for inspiration, or imaginatively reconstructed ancient styles, as with the 'Barbarian' range of chairs, sconces, lamps and tables.
Designed in , this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional.
Object details
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| Materials and techniques | Wrought iron, hide, leather |
| Brief description | 'Barbarian' chair, designed by Garouste and Bonetti, , manufactured by Neotu, Paris, , wrought iron, animal hide, leather straps |
| Physical description | Chair constructed of wrought iron with an animal hide attached by leather lacing to form the seat and back |
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| Summary | Garouste and Bonetti did n Lotn° Estimation : - EUR ELIZABETH GAROUSTE () & MATTIA BONETTI () - Lot ELIZABETH GAROUSTE () & MATTIA BONETTI () Lampe dite Cléopâtre Résine, laiton Estampillée 25 x 18 cm. BGH, Cleopatre table lamp Resin, brass-plated aluminum x in. Design Purchased lots will become available only after full payment has been made. The sale will be . |