Foto de alfredo volpi bandeirinhas
Alfredo Volpi
A Brazilian Artistic Mastermind from Italy
Alfredo Volpi (1896 - 1988) was a renowned Brazilian artist, celebrated for his geometric and colorful paintings. Born in Lucca, Italy, Volpi moved to Brazil at the age of two and was raised in São Paulo. His artistic career began as a house painter, where he acquired technical skills and refined his appreciation for shapes and colors.
Throughout his career, Volpi delved into various styles and techniques, ranging from realistic landscapes to geometric abstractions. He was a key figure in the artistic movement known as the "Grupo Santa Helena" and participated in the first São Paulo International Biennial in 1951.
His work is characterized by harmonious compositions, the use of vibrant colors, and a unique aesthetic that blends elements of urban daily life with references to Brazilian popular culture, such as little flags, houses, and traditional festivities.
Alfredo Volpi left a significant legacy in Brazilian art, being considered one of the country's great masters of modern painting. His works are featured in major collections and museums worldwide, standing out for their uniqueness and contribution to Brazilian visual culture.
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Photo: https://galeria-ipanema.com/alfredo-volpi/
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Alfredo Volpi
Alfredo Volpi
Brazilian (1896–1988)
- Date: 1970
- Screenprint, signed in pencil
- Edition of PA
- Size: 19 in. x 26 in. (48.26 cm x 66.04 cm)
- Frame Size: 23 x 31 inches
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About The Artist: Alfredo Volpi
Son of humble Italian immigrants, Volpi arrived in Brazil before turning 2 years old. He settled in São Paulo and lived in the district of Cambuci for many years. He started his professional and artistic life as a wall decorator and became one of the most renowned Brazilian artists. Introspective and of few words, he did not finish elementary school. He used to say: "(…) I have never joined any movement. (...) I started making ink...
view artist pageAbout The Medium: Screenprint
A stencil process employing a frame on which silk or synthetic fabric is stretched. Stencils are hand-drawn or hand-cut and placed on the stretched fabric and act as a block out when the ink passes through the screen by means of a squeegee onto the paper, the non-stencil areas create the image. Also known as silkscreen or serigraph.
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Alfredo Volpi
Alfredo Volpi (April 14, 1896 – May 28, 1988), was a prominent painter of the artistic and cultural Brazilian modernist movement. He was born in Lucca, Italy but, less than two years later, he was brought by his parents to São Paulo, Brazil, became a Brazilian citizen, and lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clóvis Graciano, Mario Zanini, Fulvio Pennacchi, and others. Why the Brazilian modernist behind the Bandeirinhas (‘Flags’) and Fachadas (‘Façades’) series is considered one of his country’s most important 20th-century artists. Illustrated with works offered at Christie’s Brazilian artist Alfredo Volpi in his studio. Photo: Courtesy of Instituto Alfredo Volpi de Arte Moderna Alfredo Volpi (1896-1988) was among the most important Brazilian painters of the 20th century, achieving a synthesis of figuration and abstraction as well as fine and popular art. Alongside many of his contemporaries, he helped forge a new path between European tradition and Brazilian modernism. Volpi won many awards, including the Best National Painter prize at 1953’s São Paulo Biennial, but during his lifetime was feted predominantly in Brazil. Only in the past 15 years or so has his fame spread internationally. In 2018, the artist was the subject of a major retrospective at the NMNM — Nouveau Musée National de Monaco: Alfredo Volpi. The Poetics of Colour. In 2024, his work will be included in Brasil! Brasil! The Birth of Modernism at the Zentrum Paul Klee museum in Bern, before the exhibition moves to the Royal Academy of Arts in London, in 2025. Born in the Italian city of Lucca in 1896, Volpi emigrated with his family to Brazil while he was still a baby. The Volpis settled in a working-class district of São Paulo called Cambuci, where Alfredo would spend most of his life. His early jobs saw him working as a woodcarver, a bookbinder, and a painter-decorator for São Paulo’s upper class and bourgeoisie. As an artist, he was entirely self-taught, though his initial work shows that he managed to absorb the influence of both Impressionism and Expressionism. In the 1930s, he formed part of a collective called the Grupo Santa H
Volpi was a self-taught painter, producing his first naturalist painting in 1914 at the age of twelve. Although his first paintings could resemble, in some way, those of expressionist artists, (an early influence was the Brazilian landscape painter Ernesto de Fiori). Mogi das Cruzes, a landscape painted for a patron in 1939, is a representative work of this period. He soon focused into a most peculiar style, using geometric abstract forms and switching from oil paint to tempera. Volpi's first one-man exhibition was held at the Itá Gallery in São Paulo in 1944.
Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time.
The painter gained national renown with Alfredo Volpi: a collector’s guide
Who was Alfredo Volpi?
Volpi’s early life, influences and themes